In the man cave. Doin man-stuff.
HOW CAN WE BE HAPPY ?
Once a group of 50 people was attending a seminar.
Suddenly the speaker stopped and decided to do a group activity. He started giving each one a balloon. Each one was asked to write his/her name on it using a marker pen. Then all the balloons were collected and put in another room.
Now these delegates were let in that room and asked to find the balloon which had their name written, within 5 minutes. Everyone was frantically searching for their name, colliding with each other, pushing around others and there was utter chaos.
At the end of 5 minutes no one could find their own balloon.
Now each one was asked to randomly collect a balloon and give it to the person whose name was written on it.
Within minutes everyone had their own balloon.
The speaker began— exactly this is happening in our lives. Everyone is frantically looking for happiness all around, not knowing where it is.
Our happiness lies in the happiness of other people. Give them their happiness; you will get your own happiness.
And this is the purpose of human life.
Unpacked all my 70’s gear. Akai GX-265D, Pioneer CT-F750, Pioneer SX-3700, Dual 506. The Dual might actually be late 80’s/early 90’s, but it’s matchy matchy woodgrain.
— Saul Bellow (via yeahwriters)
When we were asked by the NFL and Bruno to play our song Give It Away at the Super Bowl, it was made clear to us that the vocals would be live, but the bass, drums, and guitar would be pre-recorded. I understand the NFL’s stance on this, given they only have a few minutes to set up the stage, there a zillion things that could go wrong and ruin the sound for the folks watching in the stadium and the t.v. viewers. There was not any room for argument on this, the NFL does not want to risk their show being botched by bad sound, period.
The Red Hot Chili Peppers stance on any sort of miming has been that we will absolutely not do it. The last time we did it (or tried to) was in the late 80’s, we were thrown off of ‘The Top Of the Pops’ television program in the U.K. during rehearsals because we refused to mime properly, I played bass with my shoe, John played guitar atop Anthony’s shoulders, and we basically had a wrestling match onstage, making a mockery of the idea that it was a real live performance.
We mimed on one or two weird MTV shows before that and it always was a drag. We take our music playing seriously, it is a sacred thing for us, and anyone who has ever seen us in concert (like the night before the Super Bowl at the Barclays Center), knows that we play from our heart, we improvise spontaneously, take musical risks, and sweat blood at every show. We have been on the road for 31 years doing it.
So, when this Super Bowl gig concept came up, there was a lot of confusion amongst us as whether or not we should do it, but we eventually decided, it was a surreal-like, once in a life time crazy thing to do and we would just have fun and do it. We had given this a lot of thought before agreeing to do it, and besides many a long conversation amongst ourselves, I spoke with many musician friends for whom I have the utmost respect, and they all said they would do it if asked, that it was a wild trippy thing to do, what the hell. Plus, we the RHCP all love football too and that played a big part in our decision. We decided that, with Anthony singing live, that we could still bring the spirit and freedom of what we do into the performance, and of course we played every note in the recording specially for the gig. I met and spoke with Bruno, who was a beautiful dude, a real talented musician, and we worked out something that seemed like it would be fun.
We recorded a track for the day, just banged one out from our hearts that was very like in spirit to the versions we have been playing live the last few years with our beloved Josh on guitar.
For the actual performance, Josh, Chad, and I were playing along with the pre recorded track so there was no need to plug in our guitars, so we did not. Could we have plugged them in and avoided bumming people out who have expressed disappointment that the instrumental track was pre recorded? Of course easily we could have and this would be a non-issue. We thought it better to not pretend. It seemed like the realest thing to do in the circumstance. It was like making a music video in front of a gazillion people, except with live vocals, and only one chance to rock it. Our only thought was to bring the spirit of who we are to the people.
I am grateful to the NFL for having us. And I am grateful to Bruno, who is a super talented young man for inviting us to be a part of his gig. I would do it all the same way again.
We, as a band, aspire to grow as musicians and songwriters, and to continue to play our guts out live onstage for anyone who wants to get their brains blown out.
Awesome. Because I didn’t give a shit about the game’s outcome, but I really was bummed to see Flea’s bass’ empty 1/4” jack.
Oh fuck yeah Atlansia. I’ve been drooling over their beautiful, in-house custom tuning machines and pickups since before I even started building basses.
I have friends in Japan now, I oughta visit them…
Getting my CNC machine set up for a new round of work. Decided to put all the drives, the computer, the power supply, the monitor and input devices in one cabinet. Found a mini server rack for 20 bucks on Craigslist. Off to a good start.
If you’ve ever wondered when Jupiter will next be aligned with Mars, Van Cleef & Arpels has a watch that will tell you. Its new Midnight Planetarium Poetic Complication watch has six rotating disks, each bearing a tiny sphere representing one of the six planets visible with the naked eye.
The disks rotate at different speeds so that each sphere makes one revolution around the dial in the time it takes the actual planet it represents – Mercury, Venus, Earth, Mars, Jupiter or Saturn – to orbit the sun. Mercury in 88 days, Venus in 224, Earth in a year, Mars in 687 days, Jupiter in 12 years and Saturn in 29. It’s a very complex watch and a true display of supreme watchmaking. Time is indicated by a shooting-star symbol rotating around the dial’s circumference. Leveraging the brand’s specialty in jewelry, each of the planets are represented by precious and semi-precious stones, ranging from red jasper to serpentine and turquoise. An even more extravagant edition is available with baguette-cut diamonds set into the bezel.
The planet module was designed by Christian van der Klaauw, renowned for his movements featuring astronomical indications. The movement is self-winding and contains 396 components. The case is 44 mm in diameter and made of rose gold. The dial is made of aventurine and the planets of semiprecious stones. Price: about $245,000; a diamond-set version will be about $330,000.
IT’S A FREAKING ORRERY YOU WEAR ON YOUR WRIST
Your wristwatch is invalid.
Holy shit. Want. “No, sorry, no idea what time it is. But Mercury’s in retrograde.”